Manolito y su Trabuco

Charanga

Dances

• Danzón – The quintessential Cuban ballroom dance, elegant and formal, often seen as the "national dance of Cuba."
• Danzonete – A sung variant of danzón that became popular in the 1920s–30s.
• Cha-cha-chá – Created in the 1950s by Enrique Jorrín while playing with a charanga; specifically designed for charanga orchestras.
• Pachanga – A playful dance and rhythm from the late 1950s/early 1960s, closely linked to charanga bands.
• Mambo (in its earlier Cuban form) – Before the big-band New York mambo, charangas also played early mambo-style danzones.
• Charanga is a Cuban ensemble style and musical tradition that dates back to the early 20th century. It became especially popular in the 1940s–50s and played a crucial role in the evolution of salsa, timba, and Latin jazz.

Timba

Timba is the music this site is dedicated to exploring. It emerged as a distinct genre in the late 1980s and crystallized in the early 1990s — born in a moment of social crisis, built on the full accumulated history of Cuban music, and still evolving today.

Cuba

Cuba is the largest island in the Caribbean and the birthplace of some of the world's most influential music and dance traditions. African, Spanish, and French cultural streams collided here over centuries of colonial history, producing an extraordinary creative culture that exported itself across the globe.

New York

In the 20th century New York was the second home of Cuban music. Here Afro-Cuban jazz and the mambo craze of the Palladium Ballroom were born, and later salsa.

Conga

The conga (also called tumbadora) is the primary hand drum of Cuban music and the rhythmic backbone of timba, son, rumba, and salsa.

Güiro

The güiro is a notched gourd scraped with a stick or fork to produce a rasping, rhythmic sound. It is a standard feature of charanga orchestras and is central to danzón, cha-cha-chá, son, and salsa.

Piano

The piano is the harmonic and rhythmic heart of Cuban popular music. In timba, it is one of the most demanding and expressive instruments in the ensemble.

Keyboard

The keyboard (and the synthesizer) came into Cuban dance music through Los Van Van. Next to or instead of the acoustic piano it gives the band new sound colours: strings, horns, organ and electronic sounds.

Violin

The violin came into Cuban popular music through the charanga, where violins and flute give danzón and cha-cha-chá their elegant sound. In timba it is not a core instrument, but it still turns up as a colour and a nod to that charanga tradition.

The Bass

Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational — it’s fiery, funky, and free.

Flute

The flute is the lead voice of the charanga, from Antonio Arcaño's wooden five-key flute to Orquesta Aragón. In timba it returns with bright melodies, call-and-response with the singers, and virtuoso solos that cut through the dense rhythm section.

Trombones

The trombone is the defining brass voice of timba. Where earlier Cuban popular music relied primarily on trumpets, timba shifted the brass weight toward trombones — giving the music a deeper, darker, more aggressive horn sound.

Moña

A moña is an embellishment the band adds to the montuno for variety and energy. Usually it is a short, repeated horn riff, but a moña can also be vocal.