Strings & Bass
Guitarists, tres players, bassists, and violinists â the string players who wove the harmonic and rhythmic fabric of Cuban music from the earliest son sextetos to modern timba"> timba.
The tres cubano carried Son out of rural Oriente. The bass â from marĂmbula to upright to electric â laid the tumbao that dancers feel in their feet. The violin gave the charanga its elegant top voice. These are the string players whose work is woven into every style on this site.
DanzĂłn was the first national dance of Cuba â the form that unified the island's popular music identity in the late 19th and early 20th century, and the ancestor of mambo"> mambo, cha-cha-chĂĄ, and ultimately timba"> timba.
Lees meer >Timba is the music this site is dedicated to exploring. It emerged as a distinct genre in the late 1980s and crystallized in the early 1990s â born in a moment of social crisis, built on the full accumulated history of Cuban music, and still evolving today.
Lees meer >Before son, before danzĂłn, before any of the named genres â there was NengĂłn and ChangĂŒĂ in the mountains and valleys of eastern Cuba (Oriente, especially GuantĂĄnamo province). These are the oldest surviving roots of Cuban popular music.
Lees meer >The Casa de la Trova in santiago de cuba"> Santiago de Cuba is the spiritual home of Cuban traditional music â Son, Bolero, ChangĂŒĂ, and Trova. Founded in 1968 on Calle Heredia in the heart of Santiago's historic center, it has been the gathering place for the city's musicians for over half a century.
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The marĂmbula is an Afro-Cuban bass instrument derived from African lamellophones (thumb pianos). It provided the bass voice in early son ensembles before being replaced by the upright bass.
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The tres is a Cuban guitar-like instrument with three pairs (courses) of strings. It is the defining melodic-rhythmic instrument of son cubano and its ancestor genres.
Lees meer >The piano is the harmonic and rhythmic heart of Cuban popular music. In timba"> timba, it is one of the most demanding and expressive instruments in the ensemble.
Lees meer >In timba (the Cuban genre that evolved from son and salsa in the late 1980s and 1990s), the violin is not a core instrument, but it does appear in interesting ways:
Lees meer >Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In timba"> Timba, the bass is not just foundational â itâs fiery, funky, and free.
Lees meer >When son first hit Havana, the sexteto format (6 instruments, no brass) was the model: guitar, tres, bongĂł, claves, maracas, and bass. These groups were lighter, closer to the rural sound but polished for urban dance halls. Famous example: Sexteto Habanero.
Lees meer >A Cuban popular dance music genre that emerged in the 1980sâ90s
- emerged in the 1980sâ90s
- influenced by songo, rumba, funk, blues, jazz, pop, rock and Afro-Cuban rhythms.
- Known for complex rhythm shifts, aggressive bass lines, and high energy that push dancers to improvise.
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Alain Pérez
â Bassist, singer, composer (1971)
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Arsenio RodrĂguez
â Musician, composer, bandleader (1911â1970)
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Compay Segundo
â Guitarist, singer (1907â2003)
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David Calzado
â Musician, bandleader (1958)
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Elio Revé
â Musician, bandleader (1930â1997)
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Enrique JorrĂn
â Violinist, composer (1926â1987)
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Felipe Cabrera
â Bassist
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Israel "Cachao" LĂłpez
â Bassist, composer (1918â2008)
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Joel DomĂnguez
â Bassist
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Juan Formell
â Bassist, composer, bandleader (1942â2014)
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Niño Rivera
â Tres player, composer (1919â1996)
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Ninón Mondéjar
â Musician, bandleader (1918â1993)
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Orestes LĂłpez
â Cellist, composer (1908â1991)
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Pancho Amat
â Tres player (1950)
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Ry Cooder
â Guitarist, producer (1947)