Rumba Ensembles
The percussion-and-voice groups that preserve Cuba's deepest African-rooted music — Yambú, Guaguancó, and Columbia performed without melody instruments, as the tradition demands.
Rumba needs nothing but drums, claves, voices, and bodies. The ensembles that perform it are defined by their drum setup — typically caja, segundo, and quinto (or cajones in the older style) — and by the quality of their clave, their coro, and their dancers. These groups are the keepers of Afro-Cuban tradition at its most direct.
Rumba is the most African-rooted of all Cuban music and dance forms — born in the streets, courtyards, and docks of Havana and matanzas"> Matanzas in the late 19th century, with no European instruments, no salon setting, and no pretense of European propriety.
Lees meer >Rumba is the most African-rooted of all Cuban music and dance forms — born in the streets, courtyards, and docks of Havana and matanzas"> Matanzas in the late 19th century, with no European instruments, no salon setting, and no pretense of European propriety.
Lees meer >Rumba is the most African-rooted of all Cuban music and dance forms — born in the streets, courtyards, and docks of Havana and matanzas"> Matanzas in the late 19th century, with no European instruments, no salon setting, and no pretense of European propriety.
Lees meer >Cuba is the largest island in the Caribbean and the birthplace of some of the world's most influential music and dance traditions. African, Spanish, and French cultural streams collided here over centuries of colonial history, producing an extraordinary creative culture that exported itself across the globe.
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The clave is a fundamental rhythmic pattern and organizing principle in Cuban music. It serves as both a musical pattern and a guiding concept, deeply rooted in Afro-Cuban traditions.
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- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
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