Coro-Pregón - structure
The call-and-response of the montuno: the coro sings a fixed phrase, the lead singer answers with an ever-changing pregón.
- Coro = the choir (usually the coristas and sometimes brass) sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines between the coros (in timba also called guías).
Example in timba
Coro: “No me pare, sigue sigue”
Pregón: “¡Así mismo, mi gente, vamos pa’lante!”
The choir remains the same, while the pregón changes constantly — this makes it a call-and-response.
Important:
In timba, coro– pregón is almost always on top of a montuno section.
Timba is the music this site is dedicated to exploring. It emerged as a distinct genre in the late 1980s and crystallized in the early 1990s — born in a moment of social crisis, built on the full accumulated history of Cuban music, and still evolving today.
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- Who sings it Lead vocalist
- Purpose improvised response, commentary, storytelling
- Characteristics Free, spontaneous, conversational
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- Who sings it Lead vocalist
- Purpose improvised response, commentary, storytelling
- Characteristics Free, spontaneous, conversational
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- Who sings it Chorus (the coristas, sometimes the horns too)
- Purpose Repetition, hook and rhythmic anchor
- Characteristics Short, catchy, often syncopated
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