Buena Vista Social Club (1999) - doc
Directed by Wim Wenders, this is perhaps the most famous Cuban music documentary ever made. It follows Ry Cooder's reunion of forgotten Cuban musical masters — son, bolero, and danzón veterans in their 70s and 80s — through recording sessions in Havana and performances in Amsterdam and New York.
What It Covers
In 1996, American guitarist Ry Cooder traveled to Havana and brought together a group of veteran Cuban musicians who had been largely forgotten since the Revolution closed Cuba off from the world. Ibrahim Ferrer, Compay Segundo, Rubén González, Omara Portuondo, and others recorded an album that became a global phenomenon. Wenders' film documents the sessions and the subsequent concert tour, capturing the musicians' personalities as much as their playing.
Why Dancers Should Watch It
The music these musicians play — son, danzón, bolero, guajira — is the deep foundation beneath everything in Cuban popular dance. Watching Rubén González play piano or Compay Segundo sing, you're hearing the rhythmic and harmonic vocabulary that casino and timba"> timba are built on. The film is also simply one of the most beautiful documents of musical mastery ever put on film — a reminder of what decades of living inside a tradition produces.
Trailer
Danzón was the first national dance of Cuba — the form that unified the island's popular music identity in the late 19th and early 20th century, and the ancestor of mambo"> mambo, cha-cha-chá, and ultimately timba"> timba.
Lees meer >Timba is the music this site is dedicated to exploring. It emerged as a distinct genre in the late 1980s and crystallized in the early 1990s — born in a moment of social crisis, built on the full accumulated history of Cuban music, and still evolving today.
Lees meer >Rumba is the most African-rooted of all Cuban music and dance forms — born in the streets, courtyards, and docks of Havana and matanzas"> Matanzas in the late 19th century, with no European instruments, no salon setting, and no pretense of European propriety.
Lees meer >The Cuban bolero is one of the great romantic song traditions of the world — slow, intimate, and deeply emotional. It is entirely distinct from the Spanish bolero (a fast 3/4 dance) and emerged in Cuba as a vehicle for the island's most heartfelt lyric expression.
Lees meer >Casino is the Cuban partner dance born in the social clubs (casinos deportivos) of Havana in the 1950s. It is what Cubans call their own social dance — distinct from, and older than, what the rest of the world calls "salsa."
Lees meer >Cuba is the largest island in the Caribbean and the birthplace of some of the world's most influential music and dance traditions. African, Spanish, and French cultural streams collided here over centuries of colonial history, producing an extraordinary creative culture that exported itself across the globe.
Lees meer >The Casa de la Trova in santiago de cuba"> Santiago de Cuba is the spiritual home of Cuban traditional music — Son, Bolero, Changüí, and Trova. Founded in 1968 on Calle Heredia in the heart of Santiago's historic center, it has been the gathering place for the city's musicians for over half a century.
Lees meer >EGREM (Empresa de Grabaciones y Ediciones Musicales) is Cuba's state recording company, founded in 1964 after the Revolution nationalized all private recording labels. Its main facility, Estudios Areíto in Havana, is where virtually every important Cuban recording from the Revolution era was made.
Lees meer >The piano is the harmonic and rhythmic heart of Cuban popular music. In timba"> timba, it is one of the most demanding and expressive instruments in the ensemble.
Lees meer >A Cuban popular dance music genre that emerged in the 1980s–90s
- emerged in the 1980s–90s
- influenced by songo, rumba, funk, blues, jazz, pop, rock and Afro-Cuban rhythms.
- Known for complex rhythm shifts, aggressive bass lines, and high energy that push dancers to improvise.
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