Coro-Pregón
- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
- Coro = the choir (usually the coristas and sometimes brass) sings a repeating phrase.
- Often short, catchy and easy to remember.
- Musically stable, so that the dancers and listeners have a hold.
- Pregón = the lead singer sings varying or improvised lines between the coros.
- Can textually respond to the coro, add stories, or address the audience.
- Often rhythmically freer and melodically looser.
Example in timba
Coro: “No me pare, sigue sigue”
Pregón: “¡Así mismo, mi gente, vamos pa’lante!”
The choir remains the same, while the pregón changes constantly — this makes it a call-and-response.
Important:
In timba, coro– pregón is almost always on top of a montuno section.
- The montuno is the musical bedding ( piano, bass, percussion).
- The coro– pregón is the vocal interaction above it.
- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
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- Coro = the Choir, sings a repeating phrase.
- Pregón = the lead singer sings varying or improvised lines
Lees meer >This section is characterized by a more open and interactive part of the song, where there is a dialogue between the vocals and the instrumentalists, leading to a more improvised feel. The montuno is typically built on repetitive piano and bass patterns and may include call-and-response singing.
Lees meer >Piano
Origins
Inventor: Bartolomeo Cristofori (1655–1731), an Italian instrument maker in Florence.
Date: Around 1700, Cristofori built the first instrument he called a “gravicembalo col piano e forte” — meaning harpsichord with soft and loud.
Reason for invention: Harpsichords (the main keyboard instrument of the 1600s) could not vary loudness by touch. Cristofori solved this by using hammers to strike strings instead of plucking them.
Mechanism: When a key was pressed, a felt-covered hammer struck the string, producing sound with dynamics depending on how hard or softly the key was played.
Timba, the explosive and rhythmically rich genre of Cuban dance music, transformed how the bass functions in popular music. In Timba, the bass is not just foundational — it’s fiery, funky, and free.
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